Together they explored and trained deconstructed facial expressions according to the Facial Action Coding System, developed by prof. Paul Ekman in 1978. This system forms the basis of contemporary emotion recognition software and shows us a computer way of looking at our emotions.
By combining these collaborative performative experiments with algorithmic compositions and image blending as a method, these studies have resulted in – amongst other – two video installations and a live performance exploring the complexities and unknown expressions of the face.
Sound design: De Auditieve Dienst, Arnoud Traa
This exhibition is generously supported by the Stimuleringsfonds voor Creative Industrie,
by European Media Artist in Residence Exchange (EMARE) at Werkleitz and the ministry of culture Saxony-Anhalt.
The emotion software is FaceReader, with the help of the Usability Lab, Communication and Multimedia Design, Amsterdam University of Applied Science [text from puntwg.nl]
Feb 2018, Philadelphia …recording at Kawari Sound with an outstanding crew for Brandon Miller’s new record. coming out this year, 2018. me, doing some backup singing..even threw in some opera this time (judge not : /) very grateful to have witnessed the recording sessions. left me in awe: Karl, Zach, Flicker, Samy, Arielle, Nate, and, of course, Brandon and Marcus.
Interview auf WDR 5 Scala [Die Dokumentartheatergruppe internil zieht die „Reichsbürger“-Szene in ihrer jüngsten Theaterpremiere am 13.10.2017 durch Recherchen im Internet aus ihrem virtuellen Dasein. Ein Bericht von Jutta Schwengsbier. ]